Every stage of post, one point of contact.
Bring us a locked cut or dailies straight off the card — our departments work off the same shared storage, so nothing waits at the door between suites.
Set-to-suite turnaround
Camera cards processed, synced, and organized onto shared storage the same day they come off set — editorial and color can start immediately, not tomorrow.
- Sync, organization, and metadata tagging
- Same-day availability on 300TB EditShare
Digital transfer & standards conversion
Legacy formats, mixed frame rates, and delivery-spec conversions handled before they become a bottleneck downstream.
- Format and frame-rate conversion
- Archive digitization — contact for quote
Offline & online editing
Assembly through picture lock on Avid Media Composer and DaVinci Resolve, across dedicated edit suites for narrative and episodic projects.
- Dailies sync and organization
- Assembly, rough, and fine cut
- Picture lock and conform
Working formats
Editorial runs on Apple Mac Studio workstations against a shared 300TB EditShare volume, so every cut is versioned and backed up as you work.
- Multi-editor, multi-project workflows
- Direct handoff to color and sound
Digital Intermediate
A dedicated DI suite on DaVinci Resolve Studio, graded through a Blackmagic panel on calibrated Eizo reference monitors.
- Creative grading and look development
- Theatrical, broadcast, and OTT delivery specs
- DCP / IMF mastering — contact for quote
Reviewed the way audiences see it
Final grades are screened in our 30-seat, 4K Dolby Atmos preview theatre before delivery, not approximated on a desk monitor.
Design, edit & mix
Three audio rooms built on Avid Pro Tools with an Avid S1 console and Genelec monitoring, for dialogue, sound design, and final mix.
- Dialogue edit and ADR
- Sound design and Foley — contact for quote
- Final mix and stem delivery
Dolby Atmos mixing
Mixed and monitored through a dedicated Dolby Atmos renderer, then confirmed in the same 4K Atmos theatre used for picture review.
Visual effects, motion graphics, and cleanup are delivered through a vetted outsourced partner network, project-managed end-to-end by FRAMEON — so you still have a single point of contact from brief to final shot.
Visual effects
Compositing, cleanup, and CG coordination for shots that need it.
Motion graphics
Titles, lower-thirds, and graphic sequences matched to the grade.
Green matte capture
Pickup inserts and simple green-screen work, shot on-site on Blackmagic Studio 4K cameras.